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Monsters, Catastrophes and the Anthropocene: A Postcolonial Critique
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Monsters, Catastrophes and the Anthropocene: A Postcolonial Critique

30.04.2021

Gaia Giuliani presenta il suo ultimo libro Monsters, Catastrophes and the Anthropocene: A Postcolonial Critique, (Routledge: London, 2020), in un percorso che esplora gli immaginari occidentali su disastri naturali, migrazioni di massa e terrorismo secondo una lettura postcoloniale, dalla quale emerge lo sguardo europeo su mostruosità e catastrofi.

Changes in Direction – a Journal Digital – Virtual Book Launch
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Changes in Direction – a Journal Digital – Virtual Book Launch

10.04.2021

Changes in Direction – a Journal provides multivocal and transnational African-European statements to current decoloniality debates from different perspectives. The Finnish-German artist Laura Horelli engages with the traumatic and complex histories of colonialism and international solidarity between East Germany, Finland and Namibia, staging micro-historical interventions in public spaces. Her films transform the archive into a space – and publication – of reflective engagement. 

Mes nouveau plafonds – My new ceilings
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Mes nouveau plafonds – My new ceilings

30.05.2021

Mes nouveau plafonds is the title of one of the first photographic series conceived by artist Georges Senga (Lubumbashi, RDC, 1983, based in the Netherlands). The series was focused on the ceilings of family houses that Senga photographed in his home city Lubumbashi, second city of the Democratic Republic of Congo and capital of the rich minerary Province of Katanga. The work is a survey on the way people inhabit and experience daily life in the city and a way to narrate the massive economical and social transformations of the last decades.

Undercommons
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Undercommons

23.02.2021

Undercommons. Pianificazione fuggitiva e studio nero is the first book of the series Ante-politics published with Tamu Edition. In this essential book, Stefano Harney and Fred Moten draw on the theory and practice of the black radical tradition as it supports, inspires, and extends contemporary social and political thought and aesthetic critique.

Archive Milano
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Archive Milano

15.12.2020

Through its new site in Milan, Archive strives to challenge and unravel a monolithic idea of Italy based on the assertion of whiteness. Archive is a space of intertwining trajectories, taking into account a plurality of art, cultural and political forms, histories, legacies, and perspectives—among them, Milan’s anti-fascist tradition and its support of anti-colonial struggles.

On Fragments and Historical Erasure
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On Fragments and Historical Erasure

19.12.2020

Archive is thrilled to begin its activities in Milan with a talk on archival research, anti-colonial militancy, and processes of historical erasure by artist and researcher Emma Wolukau-Wanambwa. In her talk she unraveled the lines of inquiry driving her project Carrying Yours and Standing Between You, that presents her research into the life of the revolutionary Pan-Africanist Amy Ashwood Garvey.

Where is Cinema?
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Where is Cinema?

15.11.2019

Archive Books presents the new publication of Anouk de Clercq at Wolf Kino. This book is compiled of portraits of film initiatives from around the world, interwoven with conversations with adventurers who have rebooted movie theatres or built them up from the ground, in the hope that it can be an inspiring compendium for future cinema builders, filmmakers, film curators and film lovers.

The Storyseller
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The Storyseller

27.10.2019

A reading by artist Assaf Gruber with Tina Pfurr and Caroline Clifford, the main actresses of his film The Conspicuous Parts. The reading accompanied with extracts from Gruber’s films, explored together with the audience possible readings and interpolations of his work with his publication The Storyseller.